Please check the link below to better identify your product.. Let's start with two good—well, pretty good—things about Lenovo's IdeaPad 3 15 ($399.99 for the model 15ADA05 we tested). It has 8GB of memory, while some rock-bottom budget laptops have an. > laptops-and-netbooks > 3-series > ideapad Gaming 3-15IMH05 Laptop ideapad Gaming 3 Fire like a pleading that says, Please, please, tell me I'm wrong, tell me I've imagined all this, because it can't possibly be true for you as well, and if it's true for you too, then you Ready For The Next Step? Corporate Office 4305 E Sahara Ave, Suite #11-13 Las Vegas, NV 89104 vegascustomfoodtrucks@gmail.com Tel: 702-481-9542 Tell us about your dream food truck and we will put together a no-strings custom quote for you! Not sure about all the details? Our team of food truck experts is here to answer all your questions Call Me By Your Name is a masterpiece of subtle emotions, intense sensuality and breathtaking beauty. Read full review. 90. Bill Goodykoontz. Dec 21, 2017. Call Me by Your Name is a lush, heartbreakingly beautiful film about first love, but also the glories of youth, when everything is new and any number of paths open before you. Call Me By Your Name, bộ phim điện ảnh thu hút dư luận ngay từ khi vừa mới ra mắt và được kỳ vọng trở thành một trong những bộ phim "điển hình" về chủ đề lyH8VW. STORY A precocious teen Elio Timothee Chalamet falls head over heels in love with Oliver Armie Hammer, a visiting American student of his father’s, at their gorgeous Italian villa in summer. The two find themselves magnetically drawn to each other, well aware of their uncertain future. Even as the boys discuss piano, poetry and peaches, they mostly wonder what the other is thinking. No matter how hard to confess, you can’t conceal love for too long, can you?REVIEW Gorgeously adapted by director Luca Guadagnino and James Ivory screenplay, CMBYN, based on André Aciman’s acclaimed novel, is one of the greatest coming-of-age romances. It is unsoftened yet delicate portrayal of intimacy and conversation between lovers. Elio and Oliver know they like each other, much before the former finds it impossible to hide his feelings. A whirlwind secret romance ensues around the swimming pool, dinning table, piano place, bedroom and corridors of the sprawling heritage villa. We watch the two locking eyes, seducing each other with words and music, indulging in flirtatious banter and speaking in a language that only lovers do. But summer romances don’t last for a lifetime, or do they?The beauty of CMBYN is its raw, vulnerable, passionate and uninhibited energy. The camera sees through people and watches them when they aren’t looking. Elio carelessly leaving the door of the fridge half open, compelling a rather annoyed house help to shut it on his behalf... the camera lingers on people, and observes them closely. Elio’s eyes lighting up at the sight of Oliver, he nervously anticipating Oliver’s response to his romantic advances and finally confessing his feelings to him. Through Elio, you experience the rush of first love and the heartache that is bound to by Timothee Chalamet, the performances and chemistry between actors are outstanding. As the end credits roll, we see Chalamet shedding tears in silence by the fireplace, thinking of Oliver, the moments they’d shared and the void he’s left. The camera freezes on his unblinking teary eyes and hapless face. His quiet pain is loud enough to crush your heart. This performance catapulted the youngster to stardom and won him an Oscar nomination for a reason. Armie Hammer as Oliver is equally effective and this film wouldn’t be what it is, without him. Michael Stuhlbarg as Elio’s erudite and compassionate father deserves a special mention. His monologue towards the end will go down in history as one of the most iconic father-son scenes. The powerful sequence compels one to introspect. It takes courage to actually love someone knowing you might lose them and realising you were lucky enough to find them in the first place. Intuitive and loving, Amira Casar is perfectly cast as Elio’s mother. Beyond the actors, Luca masterfully uses the house as his key character. Every frame has a meaning. Be it Elio lying on a sofa, resting his head on his mother’s lap on a lazy afternoon as she reads out to him or more. The house is integral to the but not the least, the film does not put labels to relationships, nor does it define its story as a same sex relationship. The director’s thoughtful gaze sees love as love and nothing more. The film is thankfully not verbose. It cleverly alternates between silence and dialogue, giving enough room for actors to explore themselves. CMBYN is a simmering, sensual ode to irresistible attraction, first love & heartache. At heart, the romantic drama answers our age-old dilemma... When you love someone but haven’t mustered the courage to tell them that, “Is it better to speak or die?” Summary It’s the summer of 1983 in the north of Italy, and Elio Perlman Timothée Chalamet, a precocious 17- year-old American-Italian, spends his days in his family’s 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia Esther Garrel. Elio enjoys a close relationship with his father MichaelIt’s the summer of 1983 in the north of Italy, and Elio Perlman Timothée Chalamet, a precocious 17- year-old American-Italian, spends his days in his family’s 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia Esther Garrel. Elio enjoys a close relationship with his father Michael Stuhlbarg, an eminent professor specializing in Greco-Roman culture, and his mother Annella Amira Casar, a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio’s sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver Armie Hammer, a charming American scholar working on his doctorate, arrives as the annual summer intern tasked with helping Elio’s father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.… Expand Genres Drama, Romance Rating R Runtime 132 min By MetascoreBy User Score More From Call Me by Your Name Cứ như một bản tình ca lạ lùng, Call me by your name nhẹ nhàng len lỏi, ám ảnh lấy Uyên suốt quãng thời gian từ lần đầu tiên xem bộ phim. Uyên đi ngược lại với nguyên tắc phim truyện, xem phim trước rồi mới vớ lấy sách đọc ngấu nghiến. Cả truyện và phim đều làm Uyên thẫn thờ thổn thức, mắc kẹt trong mớ cảm xúc khó tả thành lời của nhân vật, và cả của đến nghẹt thở! Đó là tất cả những gì Uyên có thể miêu tả về tác phẩm tuyệt vời này của André Aciman – tác giả đặt bút viết nên câu chuyện của Call me by your name, và Luca Guadagnino, người phù phép đem câu chuyện lên màn ảnh bằng con mắt tinh tế và nghệ thuật của ông. Call me by your name kể về câu chuyện tình giữa Elio – một cậu thanh niên 17 tuổi, ngây ngô, vô tư, tâm hồn mong manh dễ vỡ và Oliver – một chàng sinh viên 24 tuổi , cứng cỏi, thông minh, lý trí. Oliver và Elio gặp nhau gói gọn trong 6 tháng hè ở miền Bắc nước Ý, và chỉ thực sự tìm thấy nhau trong 3 tháng còn lại cuối cùng của mùa hè năm ấy. James Ivory, người thổi hồn vào kịch bản chuyển thể Call me by your name từ tiểu thuyết cùng tên của André Aciman, là một đạo diễn, nhà biên kịch nhà sản xuất của điện ảnh Hollywood những năm 80 cùng bộ hai Ismail Merchant và Ruth Prawer Jhabvala, những người tạo nên hãng phim Merchant Ivory Productions danh tiếng một thời. Những tác phẩm điện ảnh của ông luôn mang hơi hướng hoài cổ, lãng mạn, dạt dào cảm xúc. Bối cảnh của phim luôn mang nét mộc mạc giản dị của những làng quê Châu Âu, điều mà chúng ta có thể thấy rất rõ ở Call Me By Your James Ivory là người đem đến nét đẹp nghệ thuật cho bộ phim, thì Luca Guadagnino là người đem tâm hồn tô điểm cho nét đẹp hình thể đó của James. Call Me By Your Name được coi như là phần cuối cùng khép lại bộ ba phim tiếp sau I Am Love 2010 và A Bigger Splash 2015 của Luca, một kết thúc buồn, hụt hẫng nhưng đầy xúc cảm, vương Oliver dường như là hai thế giới đối lập nhau. Hai người là hai bức tranh hoàn toàn khác. Thế nhưng bằng một cách nào đó, họ lại tìm thấy lỗi rẽ thâm nhập vào thế giới của nhau, để từ đó mắc kẹt mãi mãi trong tận sâu tâm hồn tình cảm của Oliver và Elio dành cho nhau giống như một sự thử thách. Bởi sự khác biệt và định kiến xã hội là những gì khiến hai tâm hồn đồng điệu này phải mất quá lâu để có thể dũng cảm đối mặt với cảm xúc của chính chuyện của Oliver và Elio khiến Uyên nhớ đến Ennis del Mar và Jack Twist trong Brokeback Mountain, và chắc hẳn những ai đã từng xem bộ phim này, khi xem Call Me By Your Name đều sẽ liên tưởng và kết nối sự tương đồng của hai tác phẩm. Rất khó để có thể diễn tả từng tầng lớp cảm xúc của một mối tình như thế này. Bồng bột có, hoang dại có, trần trụi có, hưng phấn có, mãnh liệt có. Cả sự mong manh, e dè len lỏi giữa những nhân vật cũng thể hiện rất rõ, đặc biệt trong những tác phẩm về đề tài đồng người như Oliver, Elio, Ennis, Jack, họ đều là những kẻ có tâm hồn nhạy cảm, họ luôn kiếm tìm cái đẹp, cái cảm xúc ở những điều tưởng chừng như nhỏ bé. Bất chấp tất cả những chuẩn mực được đưa ra từ xã hội, bỏ qua một bên cái tôi to lớn, họ hướng tới cái cảm xúc chân thật, cái đẹp ở một tâm hồn đồng điệu với chính họ, để tiến tới một điều duy nhất tình tháng có thể không phải là một quãng thời gian dài và đủ để một mối tình trở thành cái gọi là tình yêu. Nhưng tình yêu thì chẳng bao giờ có định nghĩa nhất định, không giới hạn, không đóng khung, không có đúng sai, trái phải. Oliver và Elio cũng vậy. họ yêu nhau bằng một cách tự nhiên nhất, trân trọng những gì đang có ở hiện tại, và sống trọn từng khoảnh khắc của cái thời gian đẹp đẽ bên nhau. “Này, con có một tình bạn đẹp. Có lẽ hơn cả tình bạn, Cha ghen tị với con. Ở địa vị của cha, hầu hết các bậc phụ huynh sẽ mong toàn bộ chuyện đó biến đi hoặc cầu nguyện rằng con trai họ vượt qua cho chóng. Nhưng cha không phải là một vị phụ huynh như thế. Ở địa vị con nếu có nỗi đau hãy nuôi dưỡng nó, và nếu ngọn lửa bùng lên, đừng dập tắt nó, đừng tàn bạo với nó. Sự rút lui có thể là thứ kinh khủng khi nó khiến ta tỉnh thức vào ban đêm, và khi những kẻ khác quên ta đi nhanh hơn ý muốn của ta. Ta hy sinh bản thân quá nhiều để được chữa lành nhanh chóng, thế nên đến năm ba mươi tuổi ta đã cạn kiệt, chả còn gì để trao đi mỗi khi bắt đầu với một người mới. Nhưng chuyện không cảm nhận một điều gì hết để tránh cảm nhận một điều cụ thể, thật là lãng phí!”. Đây là những lời mà cha của Elio trong phim do Michael Stuhlbarg thủ vai nói với Elio sau khi Oliver rời khỏi Ý để trở về Mỹ. Không đơn thuần chỉ là những lời nói vu vơ, an ủi, đây là tiếng lòng của của một người cha, nói thay cho những con người như Elio, Oliver. Mỗi người đều chỉ có một cuộc đời để sống, để yêu, để ghét, để đau đớn, để cảm nhận, chẳng có ý nghĩa gì nếu một người phải kìm nén và quên đi cảm xúc hay chính bản thân mình để thỏa mãn những chuẩn mực của xã hội. Dù biết sẽ có những lúc những cảm xúc ấy qua đi, sẽ là những dằn vặt, đau khổ, tự vấn, nhưng điều quan trọng nhất, là ta đã yêu, đã thực sự sống với chính mình trong khoảnh khắc ấy. I’m just like you, I remember everythingANH GIỐNG EM, ANH NHỚ TẤT CẢ MỌI và Elio đã không còn ở trong cuộc đời của nhau, sau một mùa hè ngắn ngủi tưởng chừng như kéo dài mãi mãi. Nhưng những gì mà hai người đã có, sẽ vẫn nằm lại đó. Bất biến. Trường tồn. Tìm đọc “Call me by your name” phim Call me by your nameMỘT SỐ FUN FACTS VỀ CALL ME BY YOUR NAME TRÊN KÊNH There is a scene toward the end of Call Me by Your Name, Luca Guadagnino’s intimate and piercingly honest adaptation of Andre Aciman’s superb novel, in which a graying university professor in Italy sits down with his puffy-eyed, 17-year-old son for an unexpected talk. Dad quotes Montaigne’s famous phrase about his special friendship with Étienne de La Boetie. His son, who has been very smart academically for some time but only recently experienced an important emotional growth spurt on his way to adulthood, understands that his father is referring to his offspring’s “special friendship” with the handsome, 24-year-old intern from the who stayed with them for the summer and has just returned home. In someone else’s hands, the exchange might have become pretentious, ridiculous or melodramatic and lachrymose, but Guadagnino, most famous for the far splashier features I Am Love and A Bigger Splash, finds exactly the right tone for the material, which is understated and filled with paternal affection. Even viewers who aren’t able to identify the quote by Montaigne, uttered in the original French, will understand that Dad is using a common intellectual interest as a safe way to express a new idea. It is this kind of attention to detail — much of it lifted directly from the book, adapted by Guadagnino with James Ivory and editor Walter Fasano — that provides the film with its unexpectedly deep wells of emotion and surges of insight into human nature and relationships. The Bottom Line Call me a successful adaptation. Starring a never-more-sensual Armie Hammer as the intern, the breathtaking Timothee Chalamet formerly of Homeland as the son and the great Michael Stuhlbarg as the father, this tender and minutely observed queer romance, set in bucolic Lombardy changed from the Ligurian seaside in the novel, could, with the right marketing, become a breakout title for Sony Pictures Classics. Professor Perlman Stuhlbarg is specialized in Greco-Roman sculpture and has a summer intern over every year in the family’s 17th century country palazzo. When the guest arrives, Perlman’s only child, the lanky and studious teenager Elio Chalamet, is asked to leave his bedroom to Oliver Hammer and move into an adjacent storage room for the summer. Like the ritual that gives the film its title, this is not an insignificant detail, as the transfer of bedrooms already suggests that Oliver and Elio are closely connected and, to a large extent, at once interchangeable and part of a single, greater whole. Initially, the inexperienced Elio doesn’t quite know what to make of the American seven years his senior and the feeling seems mutual. The cinematography from Thai director of photography Sayombhu Mukdeeprom Uncle Boomee…, Arabian Nights reflects this idea, keeping everything in medium or wider shots and only rarely moving into the characters’ private spaces. The first close-up of Elio, while he intently watches Oliver dance with a girl at a village party, thus arrives as something of a shock. Perhaps even for Elio Could he be questioning himself, wondering whether he’s jealous? Since the action is set not only in Italy but also in 1983, this same-sex attraction would not be readily accepted, so the characters need to be eased into admitting what they might be feeling for each other. As in the scene quoted earlier, seemingly innocent elements of culture — Greek statues, medieval novels — are leveraged to discuss certain ideas that cannot be uttered out loud. In one of the film’s most daring choices, the realization that the two might be talking about the same thing is shot around a Battle of the Piave monument on a piazza in a wide shot, Elio’s back toward the camera and Oliver much further back, his face barely visible. The counterintuitive choice places the two men, talking about the love that dares not speak its name, out in the open but because we can’t see their faces clearly, they could be anyone. The camera moves in for their first kiss, however, a pastoral moment of joy that recalls the discovery of love in the countryside around Cambridge in Forster’s classic novel Maurice Ivory directed the film version in 1987. From that moment on, their relationship develops in fits and starts, as Oliver initially wants to “remain a good boy” and “not corrupt” Elio, but the hungry adolescent wants more. Both also have dalliances with local girls — these subplots have been heavily pruned from the novel — which here feel like ammunition in the tug-of-war between two men destined for each other. Some elegant visual shortcuts, such as the Star of David necklace that Elio starts wearing again after having discovered Oliver also has one both are Jewish, also help condense some of the novel’s midsection. The couple’s physical rapport is an essential part of the novel, and the film is extremely sensual, with both leads frequently walking around in just swim shorts during the languid summer days. The handful of sex scenes are tastefully shot but short and not particularly explicit, though Aciman’s famous peach scene — Google this at your own risk if you haven’t read the novel — is featured here in modest but unambiguous fashion. The relative discretion about the full physical compatibility of the men could potentially help the film gain a wider audience beyond the LGBTQ community, but feels a little too restrained for who these characters have become by the time they consummate their relationship. Though Hammer might be the bigger star and he certainly has a juicier-than-usual role here that he clearly relishes, the true breakout of the film is 21-year-old Chalamet. Elio is someone who is experiencing a lot of things for the first time, for which he barely has any words, but Chalamet’s face and body language turn his character into an open book. The minutes-long and wordless final shot, another rare close-up of Elio, is so mesmerizing that it immediately cements his status as one of the world’s brightest young talents. The chemistry between the men is palpable, but what’s more important, they convey their characters’ complex emotions, expectations and thoughts without necessarily opening their mouths. The rest of the small cast, very much including Stuhlbarg, in that scene mentioned at the start of this review and elsewhere, is also uniformly excellent. A minor detail that will be problematic for audiences in Europe is the mix of languages used, with the Perlmans in the film an unconvincing hodgepodge of Italian, French and American ancestry. The large amount of French dialogue can partially be explained by the fact that the film is a French co-production, though the only actor who convincingly pulls off all the languages she supposedly speaks fluently is Kurdish-Russian actress Amira Casar, who plays Mrs Perlman. The film’s costumes and production design nail the look of 1980s rural Italy, with Guadagnino actually having shot in and around the picturesque village where he lives. References to political life in Italy, entirely absent from the novel, are also convincing and add texture. Some classical pieces and Sufjan Stevens’ glorious score complete the all-round classy package. Production companies Memento Films, RT, Frenesy, Water’s End Cast Armie Hammer, Timothee Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victoire Du Bois, Vanda Capriolo, Antonio Rimoldi Director Luca Guadagnino Screenplay Luca Guadagnino, James Ivory, Walter Fasano, based on the novel by Andre Aciman Producers Peter Spears, Luca Guadagnino, Emilie Georges, Rodrigo Teixeira, Marco Morabito Director of photography Sayombhu Mukdeeprom Production designer Samuel Dehors Costume designer Giulia Piersanti Editor Walter Fasano Music Sufjan Stevens No rating, 130 minutes What to know Call Me by Your Name offers a melancholy, powerfully affecting portrait of first love, empathetically acted by Timothée Chalamet and Armie Hammer. Read critic reviews Rent/buy Subscription Rent/buy Rent/buy Call Me by Your Name videos Best Picture Mashup 137 Call Me by Your Name Photos Movie Info It's the summer of 1983, and precocious 17-year-old Elio Perlman is spending the days with his family at their 17th-century villa in Lombardy, Italy. He soon meets Oliver, a handsome doctoral student who's working as an intern for Elio's father. Amid the sun-drenched splendor of their surroundings, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever. Rating R Sexual ContentNuditySome Language Genre Romance, Drama, Lgbtq+ Original Language English Director Luca Guadagnino Producer Peter Spears, Luca Guadagnino, Emilie Georges, Rodrigo Teixeira, Marco Morabito Writer James Ivory, Luca Guadagnino, Walter Fasano Release Date Theaters Jan 19, 2018 wide Release Date Streaming Mar 13, 2018 Box Office Gross USA $ Runtime 2h 12m Distributor Sony Pictures Classics Production Co RT Features, La Cinéfacture, Frenesy Film Sound Mix Dolby Digital Aspect Ratio Flat Cast & Crew News & Interviews for Call Me by Your Name Critic Reviews for Call Me by Your Name Audience Reviews for Call Me by Your Name Apr 22, 2019 I found myself awestruck by the beauty of this film, the locations and cinematography was nothing short of amazing. Timothy Celaman let's his presence be known with this roll, I appreciate every moment he was on screen, just memorizing. The writing and direction was also fantastic, story was a little choppy but no problem with me. Super Reviewer Feb 19, 2018 Beautiful scenery but about thirty minutes too long. Hammer and Chalamet are good but it is Stuhlbarg who really shines...his father-son chat at the end of film is quite moving and emotional. Nice to see people on screen reading for enjoyment. 2-17-18 Feb 02, 2018 I am not sure why I enjoyed this film as much as I did. It doesn't communicate primarily through dialogue, the story is choppy, its heavy with the metaphors, and there are many scenes that seem to serve little to no purpose. However, the way the characters convey emotions and communicate without saying a word is amazing, the aura of escapism is wonderfully portrayed by using beautiful shots and the soothing sounds of Sufjan Stevens, yet not overdone like some fairytale. If this story were put in a vacuum it wouldn't interest me, but it makes you feel a certain way and takes you to a place that is pretty enjoyable. Super Reviewer Jan 25, 2018 Sun drenched and hazy like a dream to pass along the summertime, Call Me By Your Name is a quietly romantic and gorgeous film, full of aching melancholy and subtle storytelling. It is a quiet and slow paced film, sometimes emotionally distancing, but entrancing and by film's end, wholly enrapturing. Armie Hammer and Timothee Chalamet give incredible performances, so natural and casual, as to appear completely authentic. Michael Stuhlbarg gives another fantastic supporting performance and his late film monologue is stirring. Call Me By Your Name is not a big film in any sense. It is a small, intimate little sliver of budding sexuality and summertime nostalgia and is unsentimental and non-judgmental in every way. Rating 89

review phim call me by your name